"Explosions, synthesizer bass notes, and sound effects...come
across with lots of power, passing the shake-the-couch test with ease."
"...meeting performance expectations with a product that's both compact and
affordable... PINNACLE® has succeeded admirably."
PINNACLE® Digital Sub 350/600
by Robert Deutsch
September 1998 Stereophile Guide to Home Theater
Sub350 front firing, sealed-box active subwoofer with enclosed electronic
crossover and power amplifier.
Drivers: two 12" polycone woofers with rubber surround, 2"
voice coil, 40 oz. magnet
Low-end frequency response: -3 dB @ 22 Hz
Amplifier power: 350W, 2 dB headroom
Amplifier type: class D
Power requirements: 600W maximum, 8W idle
Optional satellite-speaker crossover: first-order @ 80 Hz
Variable lowpass filter: 50-150 Hz
Dimensions: 14.25" x 15" x 15" (W x H x D)
Weight: 58 lbs.
Finish: premium black anthracite vinyl
Warranty: subwoofer drivers, assembly, and construction, 5 years;
amplifier, 1 year
1 Fairchild Court, Suite 140
Plainview, NY 11803
tel. (800) 346-2863, in NY (516) 576-9052
fax (516) 576-0826
Until recently, home-theater fans who wanted good subwoofer performance but didn't want
a big box were out of luck. Sure, there are compact units that their manufacturers call
"subwoofers", but at best, these are woofers: They just don't go very low
or play very loud. The laws of physics would seem to dictate that low bass at high volume
requires drivers with a lot of cone area in an enclosure of substantial size.
Enter the PINNACLE®
Digital Sub350, one of the new breed of compact subwoofers designed
to offer the performance of much larger units. (The Velodyne HGS-10, also reviewed in this
issue, is another.) To do this, the engineers at PINNACLE® haven't broken or revised the
laws of physics, but merely applied them more intelligently.
The Sub350 uses two high-excursion 12-inch drivers, one mounted behind the other;
PINNACLE® calls this configuration "compound compression". This approach allows
the enclosure volume to be about half that of a comparable single-driver design. For the
Sub350, additional saving in size and weight are achieved by using a Class D (digital
switching) amplifier. Smaller and lighter than conventional designs, Class D amplifiers
also generate less heat--a major advantage for an amplifier housed in a speaker enclosure.
The Sub350 provides speaker level inputs and outputs as well as line inputs but not
line outputs; any highpass filtering of the main speakers must be done by the device
feeding the subwoofer. In home-theater applications, this is not a problem: All Dolby
Digital/Pro-Logic processors include high pass filters.
The unit's controls include Volume, Phase (0 or 180 degrees), Auto On/Off, and a
variable lowpass-filter frequency, but the lowpass filter cannot be bypassed. As a result,
the subwoofer's lowpass filter is cascaded with the surround processor's own lowpass
filter, which can produce untoward interaction between the two filters.
To minimize any such interaction I set the Sub350's filter to the highest frequency
(150 Hz). This resulted in a fairly even transition from the main speakers to the
subwoofer, with no major dips in frequency response that I could attribute to crossover
interaction. Still, the blend between the main speakers and subwoofer might have been even
better if I could have bypassed the subwoofer's lowpass filter.
The response through the crossover range was more linear with the Sony SDP-EP9ES (its
crossover set to 80 Hz) than with the Marantz AVP-500, which has a fixed crossover
frequency of 100 Hz. With both the Sony and Marantz surround processors, the out-of-phase
(180°) setting of the Sub350's crossover resulted in a more linear frequency response.
The Sub350 is finished in what PINNACLE® calls "premium black anthracite
vinyl", which sounds pretty impressive except for the "vinyl" part. It
actually looks pretty good as such things go, but the people who sell genuine black
anthracite shouldn't worry about losing a significant market share to the vinyl stuff.
PINNACLE® gets some audiophile brownie points for supplying four solid-brass cone feet
that screw into the enclosure, but I was unable to screw in one of the cones; this turned
out to be a problem with the anchor in the enclosure. Fortunately, I found some German
Acoustics cones of about the same height among my audiophile odds 'n' ends, so I
substituted one of these. The Sub350 was placed in the left-front corner of my
home-theater room, a location I've found to work well with other subwoofers.
Although it is definitely compact, the PINNACLE® Sub350 gives up little performance to
the big boys. Specifications peg the -3 dB point at 22 Hz, and I'd say that's about right.
Using the ever-popular Radio Shack SPL meter and Stereophile's Test CD 3, I
found the response at the listening seat to be up by 6 or 7 dB in the 40-50 Hz region,
falling gently below that. At 25 Hz, the level stayed within 2 dB of the response level in
the 80-100 Hz region, then it dropped by another 5 dB at 20 Hz.
I have measured a similar rise in the 40-50 Hz region with other subwoofers in the same
environment, which implies the presence of a room mode. However, the
PINNACLE's rise was
3-4 dB greater than the Bag End Infrasub-18 or the Velodyne HGS-10 (see reviews in this
issue). This rise is noticeable on some material, giving the bass a not-unwelcome extra
kick. Explosions, synthesizer bass notes, and sound effects like the lion's growl in Jumanji
come across with lots of power, passing the shake-the-couch test with ease.
On music, I'd have to rate the PINNACLE's performance as merely good, not great. It
certainly avoids the one-note bass that has given subwoofers a bad name in some quarters,
and it goes deep enough to add useful low-end extension to the sound of most speakers,
even ones that are nominally full-range.
However, bass transients (timpani, bass drum, string bass, bass guitar) have a little
too much warmth and sound a bit "slow" compared to the Bag End Infrasub-18.
True, the synthesizer note at the beginning of track 7 on Mickey Hart's Planet Drum
(Rykodisc RCD 10206) exhibits the room-shaking quality that's the hallmark of a real
subwoofer, and the varied drum sounds that follow are differentiated pretty well--just not
as well as with the Infrasub-18, pedal notes in Saint-Saens' Symphony No. 3
(Philips 412 619-2). To put this in perspective, the Infrasub-18 is the
"fastest" sub with the greatest bass extension in my experience; it's also much
bigger, heavier, and at $1895, considerably more expensive than the Sub350.
Closer to the Sub350 in price (and even smaller in size), the Velodyne HGS-10 is the
champion bantamweight subwoofer, beating the Sub350 in extension and subjective
speed/tightness of bass response. However, the difference is less than that between the
Sub350 and the Infrasub-18, and the HGS-10 sells for $1595--again, a significant premium
over the Sub350. In the Sub350's own price range, the HSU Research HRSW12A (which has been
improved since the version I reviewed in the Fall 1995 SGHT) is tough to beat, but it's
Without restrictions on size and price, any competent speaker engineer can design a
great sounding subwoofer. The real skill is in meeting performance expectations with a
product that's both compact and affordable. In this effort, PINNACLE® has succeeded
admirably. The Sub350 doesn't deliver the tightest, fastest, or deepest bass imaginable,
but subwoofers providing a closer approach to that ideal tend to take up much more space
and/or cost a lot more. The PINNACLE® Sub350 represents a good compromise among the varying
requirements of size, cost performance, and aesthetics. Check it out.
Pioneer CLD-604 LD player
Sony DVP-S7000 DVD player
Panasonic PV-S4690 S-VHS VCR
Mitsubishi VS/VE 507CA 52" front-projection TV
Dunlavy Audio Laboratories SC-I (5)
Assorted AudioQuest audio interconnects
AudioQuest Type 6 SST speaker cables
Monster M1000v video cables